RICHARD GARRIOTT STEJSKAL

My work is about the human condition. Not specific people, but a kind of general statement about the condition of human kind at the dawning of the 21st Century. I work using the human figure and head as a starting point. By putting a recognizable human form in front of the viewer I make it easier for the viewer to connect with my work. I juxtapose the figure with elements that may at first seem discordant in order to create metaphors that will I hope shine a glimmer of light on man’s place in the world. My work can be funny, sad, scary and at times and to different people all three. I love word plays and I love visual puns. Like T.S. Eliot’s “J. Alfred Prufrock” I hope my work makes the viewer smile and at the same time squirm with recognition.

My first experience with clay was in Tennessee. I was in first grade and my father had been called back to active duty during the Korean War. We moved to a trailer court just outside of Fort Campbell. The ground was a lovely red clay. One day I made a whole set of clay toys and tools and left them to dry on the porch steps. While wonderfully plastic, the clay didn’t hold together as it dried. I returned to find them all cracked apart. That first experiment linked forever clay and my imagination. It also made it clear that the importance is in the making not in the keeping.

I coil build almost exclusively. Coil building has a rhythm that I like. It is a very different process from throwing or from carving. I can almost conceive of the form of a piece from the first coil. I begin to feel as if I have become a kind of a channel for ideas. It is the doing that seems to be the stimulation for ideas and connections that I probably couldn’t make consciously.

As I get older I look back a bit more. I can see more of a pattern to my ideas and interests. They weave through out my life. The other day I reread Kafka’s Metamorphoses, a story that has served as a touchstone for me for years. It was both as I remembered it and not at all the same. In some ways my new work is a re-seeing of ideas I’ve carried with me for a long time but from a very formative place. I still feel a sense of wonder as each idea appears and reappears for me.


Available at Muse Gallery Columbus

Contact for details: 614-565-0314 or caren@amusegallery.com